For most toy brands, the first point of contact between the product and its young audience and their parents is the packaging. Of course, package design plays a pivotal role in capturing the whimsy and excitement inherent to the toy brand and conveying the play pattern of the product. But, it also serves practical purposes for consumers and retailers alike. Let’s talk about how well-conceived toy package design can significantly impact the consumer experience and influence their purchase decisions through visual consistency, communication hierarchy, segmentation, and strategic messaging.
Visual consistency: a gateway to brand identity
Visual consistency in toy package design is more than a branding exercise; it’s a beacon for young consumers who are searching for products that connect most with them in a sea of options. The consistent use of color, package design architecture, product imagery and marketing communication on toy packaging not only reinforces brand recognition but also aids in establishing a narrative that resonates with children and adults.
Consider the impact of brands like LEGO or Barbie, whose distinctive packaging is immediately recognizable. Their consistent visual themes extend beyond logos and color schemes; they tell a story that echoes the brand’s values and the imaginative worlds they represent. This consistency ensures that when a child or a parent is searching for a specific brand within the toy aisles, they can easily identify it, simplifying the decision-making process and enhancing the overall shopping experience.
Communication hierarchy: structuring the narrative on-pack
In toy package design, communication hierarchy plays a crucial role in guiding the consumer’s attention through a structured narrative. This hierarchy needs to be carefully crafted, considering the dual target audience of kids and their parents. The packaging should first captivate with engaging visuals for the young audience, then provide clear and concise information for those making or overseeing the purchase.
The highest level of communication often includes the toy brand’s logo, its signature color palette, distinctive package design architecture and a bold representation of the product through illustration or photography to capture attention. Next would be the product name presented in engaging typography that visually aligns with the brand. Attention should then be drawn to call-outs highlighting key product features. Subsequent levels of communication, more relevant to parents, may contain information about age appropriateness, educational benefits, safety features, and contents. By organizing this information effectively, toy packaging can appeal to both the emotional desires of children and the practical considerations of adults considering the purchase.
Segmentation: tailoring the brand experience
Segmentation in toy package design is used to distinguish between types of products within the brand’s product line. Each type of product may serve different purposes, appeal to different interests or accommodate a child’s skill level or developmental stage. To help consumers navigate the product line and clearly understand the differences between product types, a toy brand’s package design should incorporate distinct visual cues that define each product segment.
Segmentation can be achieved effectively through varied color schemes, imagery, language or iconography. For example, a construction toy brand may have an entry-level segment to introduce products to consumers who may not be as adept at building yet, a mid-level to appeal to most builders, and an advanced-level for expert builders. These three segments may be differentiated within a designated area on-pack through color and segment name. Brands that offer products that address different consumer interests might be segmented solely through iconography. A well-designed and properly-implemented segmentation system enhances the shopping experience and aids in the decision-making process.
The language of shoppability
Creating a positive and enjoyable shopping experience for consumers requires a careful balance of aesthetics, engaging visuals, effective marketing communication and informative content. The key components to that need to be included on the primary display panel of all toy packaging are:
1. Brand Logo and Signature Color
The toy brand’s logo and signature color, or color palette, are at the top of the package design hierarchy. And, they’re what consumers identify first – especially if they’re shopping for a particular brand. The brand’s logo should be prominently and consistently placed within the package design system, and always treated in the same manner visually. The signature color, or color palette should dominate the packaging, making it quick and easy for consumers to recognize from a distance.
2. Package Design Architecture
A distinctively dominant aspect of the design, package design architecture visually depicts something highly identifiable and inherent to the brand that will immediately connect with consumers – a graphic shape, an iconic pattern or texture, a montage of characters. It should also be consistently placed within the package design system for it to be effective.
3. Product Imagery
The main product image has the ability to deeply connect with consumers on an emotional level as it brings the toy’s play pattern to life. It’s what creates desire and generates excitement for the brand in a way that resonates visually.
4. Product Name
One of the most important pieces of communication to an enhanced shopping experience for consumers is the product’s name. Once they wrap their heads around the primary components in the design hierarchy, they begin shopping the line by identifying the different products within it. Key to this is the size, placement and treatment of the product name. It should always be bold and contrast with its background to ensure legibility. And it should appear within the same area of the package design so that it becomes intuitive for consumers to find it.
Marketing communication should be conveyed to consumers through call-outs on-pack. They should violate the design in a way that draws attention. Careful consideration should be given to what is most important to be included on the primary display panel of a toy brand’s packaging. Communicating too much will create clutter. Primary product features and “try me” call-outs should take precedence. Educational benefits, messages to parents, and anything related to environmental issues should be in an area designated for adults to read.
As mentioned above, there are a variety of ways to visually segment a toy brand’s product line, all of which have the potential to enhance the consumer experience. Key to a segmentation strategy’s success is to ensure that it’s easy to locate on-pack and easy to understand. Otherwise, consumers will be confused and sales will be lost.
7. Age Grading, Safety Information and Product Contents
More important to parents than to children during the shopping experience, age appropriateness, whether the product includes small parts that may be hazardous to children under a certain age, and a clear indication of the product contents should all be displayed conspicuously and in compliance with legal standards for consumer product packaging.
Package design’s purpose within the retail experience
In the realm of retail, toy package design is a critical element in the storytelling process. It’s a visual and informational guide that has the ability to enhance shoppability and the experience consumers have with a toy brand at retail. Effective toy package design captivates the imagination of children while addressing the practical considerations of adults. It creates a bridge between the wonder of play and the realities of safety, education, and value. As the toy industry continues to evolve, the importance of thoughtful, engaging, and informative package design remains a constant – it’s not just about selling a product, but about creating an experience that begins the moment a child or parent tangibly engages with the brand at retail, igniting the magic of possibility and discovery.